• sean-williams

    The Volcano Hats of Easter Island

    It’s a question that’s bamboozled archaeologists for centuries – just where did the Moai of Easter Island get those big red hats? The answer, two British experts have claimed this week, is one of sacred quarries, iconic top-knots and volcanic highways. Sounds a bit too far-fetched for reality? Bear in mind these are the thousand-plus statues which line the world’s remotest inhabited island, in a corner of Polynesia not even touched by Europeans until the eighteenth century, and the truth may seem a little easier to stomach. The University of Manchester’s Colin Richards and Sue Hamilton from University College London…

  • sean-williams

    Check out Stonehenge with this Awesome Blender Reconstruction

    The Heritage Key office may be bristling with excitement at the prospect of our own Virtual Stonehenge – the progress of which you can see right here each week.. errr.. starting next week. But the anticipation has clearly proved too much for this online architect, who thought he’d have a go at the megalithic masterpiece himself. Andreas Trunk’s Stonehenge reconstruction is the first in a series exploring circular buildings of the ancient world, the next being Delphi’s famous Marmaria, and we reckon this is a pretty good first shot. Taking the stones as they are today, Trunk attempts to explain…

  • sean-williams

    First Farmers Didn’t Hunt or Gather

    A century-old case may have been closed – DNA evidence appears to show Europe’s first farmers were not related to their hunter-gatherer forebears. Teams from the University of Mainz, Cambridge University and University College London have been comparing the genetic make-up of central and northern European hunter-gatherers with ancient farmers and even today’s central Europeans. Their results show that hunter-gatherers share very little of their DNA with the farmers, and just 18 per cent with modern Europeans. Though relatively muted in comparison with other recent finds, the research provides the answer to a question that has mystified thinkers for over…

  • images

    Sandro Vannini’s Photography – King Tut’s Golden Death Mask

    The Golden Mask of King Tutankhamun may just be the most stunning artefact from ancient times that archaeologists have ever excavated. The fact that King Tut was a mere minor Pharaoh leaves the funerary gifts offered to the great ones up to our imagination, insofar as imagining such splendour and richness both in value and craftsmanship. As the golden death mask is too fragile to travel, there is no way to see the famous mask unless you travel to Cairo – or is there? The closest you’ll get to experiencing the real thing online is a collection of amazingly detailed…

  • keith-payne

    Ramesses, Thutmose or Nerfertiti? The Search for KV64

    The designation KV is part of the naming convention used for tombs in the Valley of the Kingsinthe necropolis across the Nile from Luxor. Tombs discovered in the Kings Valley are given a KV number, in the order of their discovery, and tombs found in the West Valley receive a WV number. The most recent royal tomb, KV62, is that of King Tutankhamun, discovered in 1922 by Howard Carter. So why do we skip from KV62 to KV64? That can be chalked up to an embarrassing lesson on how early one should summon the international press, detailed below. The story…

  • Ann

    Lord Byron, Poetry on the Elgin Marbles

    Lord Byron has been described as “mad, bad, and dangerous to know”, but there is an other reason – besides his regular escapades – why the British may have deemed this famous poet to be ‘wicked’. Byron was a bitter opponent of Lord Elgin’s removal of the Parthenon marbles from Greece, and “reacted with fury” when Elgin’s agent gave him a tour of the Parthenon, during which he saw the missing friezes and metopes. He penned a poem, the Curse of Minerva, to denounce Elgin’s actions. Although Byron never intended to publish this poem, a copy was stolen from him…

  • Ann

    Ventotene’s Graveyard of Roman Ships

    A team of archaeologists using sonar technology to scan the seabed have discovered a graveyard of five pristine ancient Roman shipwrecks off the small Italian island of Ventotene. The trading vessels, dating from the first century BC to the fifth century AD, lie more than 100 meters underwater and are amongst the deepest wrecks discovered in the Mediterranean in recent years. Part of an archipelago situated halfway between Rome and Naples on Italys west coast, Ventotene historically served as a place of shelter during rough weather in the Tyrrhenian Sea. The ships appear to have been heading for safe anchorage,…

  • Ann

    Digital Digging – Virtual Reconstructions of Avebury’s Sanctuary and the Durrington Walls using Google Earth

    Digital Digging – run by Henry Rothwell – is a resource for anyone with an interest in archaeology, history, cartography and … digital reconstructions! Digital Digging’s ‘Model Room’ is where they store their virtual reconstructions, created especially for you to explore yourself using Google Earth. It holds a selection of the timber and stone circles of Wessex and Somerset, including Durrington Walls South Circle, Woodhenge, Stanton Drew and the Sanctuary at Avebury. You can look at the image page of each reconstruction or download the associated .kmz file and download the model into Google Earth, where you can get inside…

  • malcolmj

    Bootylicious: Verdi’s Egyptian Opera Aida Set For Big-Screen Disney Adaptation Starring Beyonce Knowles

    Ancient Egypt has provided the inspiration for a whole host of screen hits over the years, from the good (Cleopatra and Indiana Jones and the Raiders of the Lost Ark) to the bad (The Mummy, installments one through three), to the downright very bad (I Was A Teenage Mummy!). Among the most celebrated fictional tales set in the age of the pyramids is Giuseppe Verdis opera Aida, which was adapted into a hugely successful rock opera by Elton John and Tim Rice in association with Disney in 1998. Rumours are circulating that a long-threatened Disney big-screen adaptation of the story…

  • Ann

    Opensourcing Photography: The Frankencamera DSLR

    Stanford photo scientists are out to reinvent digital photography with the introduction of an open-source digital camera, which will give programmers around the world the chance to create software that will teach cameras new tricks.If the technology catches on, camera performance will be no longer be limited by the software that comes pre-installed by the manufacturer. Virtually all the features of the Stanford camera focus, exposure, shutter speed, flash, etc. are at the command of software that can be created by inspired programmers anywhere. The premise of the project is to build a camera that is open source, said computer…