Tag: Vessel

Treasure-laden Ming Shipwreck May Have Smuggled Arms

Archaeologists are uncovering troves of cultural artifacts from an ancient Chinese vessel still sitting at the bottom of the sea. The sunken merchant vessel is located off the coast of China, near the city of Shantou. Called Nanao One, the ship is dated to be from the Ming Dynasty (1368-1644).

Archaeologists have been carrying out a salvage operation since September, but it wasn’t until this Monday that they were able to enter the cabin of the ship, and extract the relics inside. Here are some of the first pictures of the artefacts discovered.

In total, more than 1,000 artifacts have been retrieved from the vessel since it was discovered. The items include different kinds of porcelain, such as dishes, cups, bowls and vases, as well as copper plates, canons and guns.

Ten Thousand More Arefacts Could Still be Found

But archaeologists believe there could be as many as 10,000 cultural relics still being stored inside the ship, but difficult weather conditions have slowed down the salvage operation. Sun Jian, director of the salvage team from the National Underwater Cultural Heritage Protection Center said to the local media, We’ll try to remove all the relics from the sunken vessel within 90 days.

Archaeologists first became aware of the vessel three years ago when local fishermen caught pieces of porcelain while fishing off the coast. The discovered artifacts were later determined to be from the Ming Dynasty era.

The ship itself has been measured to be at least 25 meters long and 7 meters wide. In spite of lying beneath the sea for hundreds of years, the ship is still intact, with only the upper floors of the vessel rotting.

Relic of the Marine Silk Road

By studying the ship and its contents, archaeologists expect to learn more about the marine silk road, which was a series of maritime trade routes China used to reach Europe and Africa, linking both East and West.

Historical records say these maritime trade routes were in use since the Han Dynasty (206 BC to 220 AD) – the same as the land Silk Road was in operation. The Chinese ships would set sail for India, where then their goods would be shipped to Rome and Egypt.

But only in recent years has actual evidence of these trade routes been found with the discovery of shipwrecks in the South China Sea. Archaeologists discovered the sunken ship Nanhai One, from the Song Dynasty (960-1279), in 1987. Experts speculate there could be hundreds more ships still at the bottom of the sea yet to be found.

As for Nan’ao One, archaeologists have been surprised to find such a ship dating to the late Ming Dynasty. During this era, China had at times issued strict rules banning maritime trade, possibly in an attempt to stop piracy.

But the Nan’ao One ship shows that some Chinese merchants were ignoring the ban, and even shipping copper, a good the Ming Dynasty government had prohibitied from being traded. Archaeologists are already theorizing that the vessel may have been used to secretly smuggle arms. Guns and canons have been found in the wreckage. But archaeologists note that a vessel carrying such arms would have been common for this era.

King Tut’s Treasures: Perfumes, Alabaster Vessels and Wine for the Afterlife

Dr Janice Kamrin shows some of the alabaster ornaments found in King Tut's tomb and now kept at the Egyptian Museum, Cairo. Click the image to skip to the video.In this Heritage Key video, Dr. Janice Kamrin, head of the EgyptianMuseum Database Project, shows and discusses some of the lifestyle objects found in Tutankhamuns tomb by Carter in 1922, and now housed in The Egyptian Museum in Cairo. Board games, and containers for perfumes, cosmetics and unguents, are amongst the objects shown in this video that give an insight into the livestyles of the rich and famous ancient Egyptians. You can catch up on the previous videos in this series when Dr Kamrin looks at Animal iconography (Watch the video), The Canopic Shrine, Chest and Jars (Watch the video) and last week’s video on the Ritual Figures inside the tomb of King Tut (Watch the video).

A Senet game box with game pieces is one of the most intricate and impressive pieces described by Dr Kamrin. King Tut was evidently a big fan of senet, as evidenced by the number of board games found in his tomb. Senet is known to have associations with the gods and goddesses. Dr. Kamrin refers a passage from The Book of The Dead where you would have to play against an invisible opponent and you have to win in order to progress into your own afterlife, although the exact rules of the game are unknown.

A calcite cosmetic jar is the form of Bes is one of Dr Kamrin's favourite artefacts. Image Copyright - Sandro Vannini.Kamrin also shows us some of the unguent and perfume containers (check out the alabaster perfume vase in detail in King Tut Virtual) that would have been used by King Tut. The ibex-shaped unguent container is a remarkable artefact, with one horn fashioned from real ibex horn, although the second horn is missing. Using real ibex horn would ensure that the content was effective in medicine or magic, or both, as it was usual in ancient Egypt.

A calcite cosmetic jar in the form of the god Bes is also on display. The container was perhaps intended for a new mother, as Bes was the protector of women in childbirth, and women and children in general. With his frightening lion face and his tongue hung out, he was meant to scare any demons approaching.

Kamrin then shows us King Tut’s stash of wine jars. The wine jars have their year written as a label on the outside, just as we do it today. The king had estates all over Egypt and one of the jars, says Dr. Kamrin, is from the western delta region vineyards. Wine was a sophisticated industry in Egypt, with a proper grading system in place. But there were no beer jars in his tomb; did Tut dislike beer? It could just be that beer was not considered royal enough for this king. Beer was a common drink of the ordinary people of Egypt and so considered an inferior choice. Perhaps this is the reason that only wine is present in the king’s tomb.

The collection only represents some of the found jars, as Tut had many in his tomb. He was well stocked up for the afterlife with a lot of food and drink (he evidently liked his feasts!), the ordinary supplies for the afterlife. But wine for eternity? No problem. The wine jars could be magically refilled in the afterlife.

With perfume, cosmetics, entertainment and plenty of food and drink available, the objects shown here help build up a picture of a rich and comfortable lifestyle for the ancient Egyptians – and a particular insight into the personality of King Tut. You can read more about the discovery of the tomb of King Tutankhamun in a book authored by the Countess of Carnarvon Egypt at Highclere: The Discovery of Tutankhamun” (Buy) as well as finding out more about the men who made the amazing find in “Carter & Carnarvon” (Buy)

HD Video: Tutankhamun’s Burial Treasures: Lifestyle Objects

(Read the transcript on the video page)

Enjoyed the video? Then youll love looking through Heritage Keys videos page. Youll find fantastic interviews with top heritage experts, such as Dr Zahi Hawass on the discovery of an intact tomb in Saqqara, theCountess of Carnarvon discussing the tomb paintings of King Tutankhamun’s tomb (KV62) and Kathleen Martinez’s search for the elusive Tomb of Cleopatra. New videos are posted every week sign up to our RSS feed and you wont miss a thing.

Sandro Vannini’s Photography – The Cartouche Cosmetic Box

The Cartouche Cosmetic Box, found in the Tomb of King Tutankhamun (KV62). Image Copyright - Sandro Vannini.The Cartouche Cosmetic Box is one of numerous artefacts found inside the Tomb of King Tutankhamun (KV62) by famous Egyptologist Howard Carter. The discovery was made in the sarcophagus itself according to Carter, although it’s possible that the artefact was actually found in between the two outer shrines, as other cosmetic boxes were. At a height of just 16cm and width of 8.8cm, with a depth of 4.3cm, the Cartouche Cosmetic Box bears several symbols intricately carved on it. This beautiful artefact is just one of many of the Treasures of the Cairo Museum, the very museum which Dr Zahi Hawass shows us around (click here to watch the Cairo Museum basement treasures video), and photographed by Sandro Vannini, the renown Egyptology Photographer who’s images of artefacts such as the Golden Mask of Tutankhamun are simply stunning. His photography of these ancient treasures are brought to the internet exclusively by Heritage Key.

‘Cartouche Cosmetic Box’ Slideshow

Working with Sandro Vannini, Heritage Key is bringing images from the extensive catalogue of Egyptian antiquity collection of the Cairo Museum to the world wide web. These stunning photographs of these beautiful artefacts are sure to impress anybody interested in Egyptology! Click any of the thumbnail images below to open the slideshow of the Cartouche Cosmetic Box.

See it for yourself in King Tut Virtual

But that’s not all, because you can also view a 3D digital replication of the Cartouche Cosmetic Box in Heritage Key VX – the online, virtual experience. It’s quick and easy to sign up for a free account, and before you know it, you’ll be exploring the Valley of the Kings and searching for the beautiful treasures of King Tutankhamun’s Tomb!

Sandro Vannini’s Photography

Having spent over a decade in Egypt, Sandro has honed his skills and gained the experience to become one of the top photographers of historical artefacts today. His attention for detail and perfection in lighting makes his images stand out, and using his Hasselblad ELD Ixpress 528C camera, Sandro works with some of the finest equipment available.

Obviously not everyone can make that trip to the Egyptian Museum in Cairo to see the stunning collection of artefacts such as the Cartouche Cosmetic Box. So being able to see such beautiful images of the treasures from Sandro from the comfort of your own chair will stand as the next best thing, alongside being able to see the 3D versions in Heritage Key’s King Tut Virtual exhibition – visit it today and experience the wonders of the virtual world!

Don’t miss out on new treasures!

This post is part of a series focussing on amazing photographs from ancient Egypt. Keep checking back as well keep adding new images by Sandro Vannini. To make sure you don’t miss out on any of the updates, simply subscribe by email to receive notifications when new images are uploaded. For the more digitally advanced, there’s also an RSS feed with updates available.

See More Amazing Photography by Sandro

Have a look at some of the other stunning photographs by Sandro Vannini here at Heritage Key:

Ask Sandro

We’ll be sitting down with our favourite photographer for an extended chat soon, so if you have any questions for Sandro we’ll send the answers straight to you!

Cartouche Cosmetic Box

Like many of the calcite vessels that were found in the Tomb of King Tutankhamun, the Cartouche Cosmetic Box was used to hold unguents, and this particular artefact still had residue inside when it was discovered by Howard Carter. The base is made of silver, which was a more precious metal in the Ancient Egyptian age, and inscribed with hieroglyphics representing “life” (in the form of the ankh) and “dominion”. The box is predominantly gold, and inlaid with coloured glass and carnelian, and takes the shape of two cartouches. Above the box itself are the representations of two ostrich feathers, flanked by sun disks.

There are four cartouches in total – two at the front, and another two on the back. Each is adorned with decorations showingKing Tutankhamun as a child on one side of the box, sat on a basket with his knees bent upwards. The boy king is also holding the crook and flail, similar to the one found on his external trappings, and features the sun disk above his head, draped with the ankh symbol. Shown in blue glass on King Tut’s head is a lock of youth, indicating his young age.

King Tutankhamun is shown on the opposing side wearing a crown typical of Pharaohs of the 18th Dynasty. One of the faces on this side is much darker, possibly indicating a reference to the god Osiris – the god of the Underworld. Osiris is often show with black skin, representing the fertility of the soil of the banks of the River Nile, or with green skin to represent to buoying vegetation.

The sides of the box show the god Heh, who is shown wearing traditional-wear including a broad collar, pleated kilt and a corselet. Holding an ankh symbol and the sign for eternity, together they signify hope for a long reign. The throne name of King Tut – Nebkhaperure – is shown above Heh.

On opening the Cartouche Cosmetic Box, Howard Carter noted it contained a foul-smelling brown power which was the remains of what was most probably a perfumed ointment. It’s proximity to the sarcophagus of King Tutankhamun would suggest that it was used in the rituals of the afterlife.

MOVIE: Cartouche Cosmetic Box on display in King Tut Virtual

King Tut Virtual is one of the greatest discoveries you can make online. Click your mouse to travel across time and place to explore King Tutankhamun’s tomb in the digital, online Valley of the Kings. Zoom-in and get up-close to some of the most amazing artefacts ever found. Walk alongside the Nile and get a taste of life in Ancient Egypt. Invite your friends to join you on this adventure as well as meet people from all over the world in this exciting virtual world. Register for your free account and explore the wonders of the virtual world in King Tut Virtual!

Sandro Vannini’s Photography – Cosmetic Jar with Recumbent Lion

The Recumbent Lion of the Cosmetic Jar. Image Copyright - Sandro Vannini.The Tomb of King Tutankhamun (KV62) contained many calcite jars and vases, but most were located in the antechamber and the annexe. However, the Cosmetic Jar with Recumbent Lion was found between the walls of the first and secondshrine of King Tut, in the burial chamber, suggesting it may have had more significance. Perhaps used in the funeral ceremony, the jar was found with residues of a costmetic inside – a blend of vegetable resin and animal fats.The Cosmetic Jar was one of the many artefacts from KV62 originally discovered by famous explorer Howard Carter, and photographed at the Egyptian Museum, Cairo by the renown photographer Sandro Vannini. His stunning images of this artefact are brought to the internet exclusively by Heritage Key.

‘Cosmetic Jar with Recumbent Lion’ Slideshow

Heritage Key is working with Sandro and bringing his extensive catalogue of beautiful photography of Egyptian antiquities onto the world wide web, which we’re sure will please all fans of Egyptology! To watch a slideshow of the Cosmetic Jar with Recumbent Lion, simply click any of the thumbnails below.

See it for yourself in King Tut VX

But it doesn’t stop there, as you can also check out a 3D version of the Cosmetic Jar with Recumbent Lion in King Tut Virtual – simply just register for your avatar in our quick and easy process, and you’ll be exploring the virtual artefacts of King Tutankhamun, walking through the Valley of the Kings and even seeing more of Sandro Vannini’s photography in the virtual gallery.

Sandro Vannini’s Photography

What makes Sandro’s photography stand out? Attention for detail and skills gathered over the years in photography gives Sandro the necessary experience to capture the intricate details of the Cosmetic Jar with Recumbent Lion. Of course, the equipment Sandro uses plays a role too, and he comes well prepared with a Hasselblad ELD Ixpress 528C camera.

So for those of you who cant make the trip to see the Cosmetic Jar, Heritage Key offers these stunning photographs by Sandro Vannini which capture the beauty and magnificence of the Cosmetic Jar with Recumbent Lion from the Tomb of King Tutankhamun. But it doesnt stop there: you can visit virtual replicas of Tutankhamun treasures in the Heritage Key VX King Tut exhibition, which features a digital recreation of many breath-taking artefacts, including the Cosmetic Jar.

Don’t miss out on new treasures!

This post is part of a series focussing on amazing photographs from ancient Egypt. Keep checking back as well keep adding new images by Sandro Vannini. To make sure you don’t miss out on any of the updates, simply subscribe by email to receive notifications when new images are uploaded. For the more digitally advanced, there’s also an RSS feed with updates available.

See More Amazing Photography by Sandro

Have a look at some of the other stunning photographs by Sandro Vannini here at Heritage Key:

Ask Sandro

We’ll be sitting down with our favourite photographer for an extended chat soon, so if you have any questions for Sandro we’ll send the answers straight to you!

Cosmetic Jar with Recumbent Lion

The Cosmetic Jar is styled in a typical fashion of the Amarna period and made from mostly calcite, with the additions to the jar made from ivory and copper. It has a height of 26.8cm and a width of 22cm, and was one of many jars and cosmetic vases that were found inside the tomb of KingTut.

The Cosmetic Jar with Recumbent Lion. Image Copyright - Sandro Vannini. The side of the Cosmetic Jar is adorned with images of lions and dogs attacking hoofed desert animals (ungulates). The savannah plants scattered around the scene give the context of a desert environment, with the lower edge portraying a band of niches, replicating the commonly shown palace faades in Egyptian art. The upper edge, above the animal scene, shows a series of spear shapes which represent lotus petals, behind which are lines of red, white and black.

The lid of the Cosmetic Jar is what catches the eye of most people though. It’s the recumbent lion, laying along the lid with its tongue hanging out. Carved from the same block of calcite as the lid itself, the opening of the jar was done by a swivel mechanism which was kept shut by a piece of string wrapped around knobs at the sides of the jar. Decorated using blue paint on the eyes, ears, nose, claws, eyebrows and the tip of the tail, the lion is laying with its left paw on its right and it’s pink-stained ivory tongue hanging out.

There are two columns on either side of the jar, at the top of which is depicted the god Bes – the god of protecting women and the household. He is portrayed as a menacing looking dwarf, and is shown with his tongue hanging out in a similar fashion to the lion.

At the base of the Cosmetic Jar are four heads – the enemies of Egypt. Being at the bottom of the jar has significance in itself, denoting that the enemies are being crushed, or that they are the lowest of the low. The black stone heads are Nubian, whereas the other two are red-stoned Asiatics.

The lion on the jar is linked directly to King Tutankhamun through an inscription on its shoulder, and indicates the power and virility of the boy king. It also represents Tutankhamun’s ability to maintain order in a disorderly world, with the calm and dignified lion on top of the fighting animals and enemies of Egypt. The separation of levels in this jar indicates that the chaos of the disorderly world are kept away from the orderly conduct of King Tut’s Egypt.

MOVIE: Cosmetic Jar with Recumbent Lion on display in King Tut Virtual

King Tut Virtual is one of the greatest discoveries you can make online. Click your mouse to travel across time and place to explore King Tutankhamun’s tomb in the digital, online Valley of the Kings. Zoom-in and get up-close to some of the most amazing artefacts ever found. Wander the banks of Nile and enjoy a feeling of life in ancient times. The details and realism will amaze you. You can invite your friends to join you on this adventure as well as meet people from all over the world in this exciting online environment. Explore the Boy King’s treasures, go virtual and visit the King Tut exhibition nowor learn more about Tutankhamun!