Tag: Pharoah

Plants Used to Date Egypt’s Pharaohs

Pharao Djoser, Sakkara, gyptenScholars across the globe have spent more than a century trying to document the reigns of the various rulers of Egypt’s Old, Middle and New Kingdoms. Now, researchers say they nailed down a more accurate chronology for dynastic Egypt. The new chronology, based on a radiocarbon analysis of short-lived plant remains, is a long and accurate chronology of ancient Egyptian dynasties that agrees with most previous estimates but also imposes some historic revisions.

Although previous chronologies (based on both historical and archaeological records) have been precise in relative ways (the sequence of rulers), assigning absolute dates to specific events in ancient Egyptian history has been an extremely contentious undertaking. This new study tightly constrains those previous predictions, especially for the Old Kingdom (the third millenium BC), which was determined to be slightly older than some scholars had believed.

The research team says the study, published in today’s issue of Science, will also allow for more accurate historical comparisons to surrounding areas, like Libya and Sudan, which have been subject to many radiocarbon dating techniques in the past.

Christopher Bronk Ramsey and colleagues from the Universities of Oxford and Cranfield in England, along with a team of researchers from France, Austria and Israel, collected radiocarbon measurements from 211 various plants – obtained from museum collections in the form of seeds, baskets, textiles, plant stems and fruit – that were directly associated with particular reigns of ancient Egyptian kings. They then combined their radiocarbon data with historical information about the order and length of each king’s reign to make a complete chronology of ancient Egyptian dynasties.

“My colleague, Joanne Rowland, went to a lot of museums, explaining what we were doing and asking for their participation,” Bronk Ramsey said. “The museums were all very helpful in providing material we were interested in – especially important since export of samples from Egypt is currently prohibited. Fortunately, we only needed samples that were about the same size as a grain of wheat.”

For the most part, the new chronology simply narrows down the various historical scenarios that researchers have been considering for ancient Egypt. Yet, it does indicate that a few events occurred earlier than previously predicted. It suggests, for example, that the reign of Djoser – famous for his Step Pyramid – in the Old Kingdom actually started between 2691 and 2625 BC and that the New Kingdom began, with the reign of Ahmose I, between 1570 and 1544 BC. King Tut is put between 1353 and 1331 BC.

“For the first time, radiocarbon dating has become precise enough to constrain the history of ancient Egypt to very specific dates,” said Bronk Ramsey. “I think scholars and scientists will be glad to hear that our small team of researchers has independently corroborated a century of scholarship in just three years.”

Bronk Ramsey and his colleagues also found some discrepancies in the radiocarbon levels of the Nile Valley, but they suggest that these are due to ancient Egypt’s unusual growing season, which is concentrated in the winter months.

However, there’s at least one riddle thatremains: when did the Thera or Minoan eruption take place? While previous radiocarbon dating suggests the eruption took place at least 100 years before the start of the New Kingdom – put at no earlier than 1570 BC by this study. Archaeologist Manfred Bietak puts the massive eruption during the New Kingdom era.

The Thera eruption which some say is the inspiration for the Atlantis legend – destroyed the Minoan city of Akrotiri and caused havoc in the Aegean. It is considered a ‘global Bronze Age time marker’, and may have led indirectly to the collapse of the Minoan civilisation on Crete, through the creation of a gigantic tsunami that hit the island.

The King and I(deology)

Sandro Vannini - King Tut Hunting Box (Detail)Although there is copious evidence for the Egyptian kings statues, huge depictions on temple walls, stelae the actual reality of the day-to-day work and personal authority of these individuals is often ignored in favour of discussions of divinity, art and ideology. There is good reason for this. Despite the extensive amount of evidence available to scholars, everything is shrouded in a thick layer of ideological presentation that masks the reality of the situation. This makes it difficult to separate fact from fiction: what are we to envision the king did every day?

Initially, just for fun, it is interesting to see what image is conjured up in your mind when you think of the word Pharaoh. What do you see? Is it a stern-faced man sitting in an alarmingly short kilt with an elaborate crown, being adored and bowed to by subservient followers? Or a warrior king riding on his chariot at the enemy line, firing arrows while steering with the reigns tied around his waist; the army trying to follow behind, but simply unable to keep up? Dont worry if these are your initial thoughts, they are images that have been fostered over a long period of time the image that the Egyptians themselves wanted to present and television has played a big part in recent years to reinforce the ancient propaganda.

Approaching the ancient evidence requires a large degree of scepticism and the need to push aside any preconceived notions regarding who the pharaohs were. We are, after all, delving into an alien world familiar yet not. Our only window into this world is the evidence that lies before us, which presents a certain foggy picture rife with distortion. Distortion occurs in many forms: first there is the simple human need to simplify it is impossible to describe all aspects of everything that ever happens, and so from the beginning the Egyptians are only leaving us a certain fraction of their experience. Next there is conscious distortion, the product of ideological manipulation. The vast majority of textual sources available to us are subject to decorum the rules that regulate how an image could be presented and what a text could say in any particular context. Evidence relating to the king, unsurprisingly, is the most affected by this.

None of the great warrior pharaohs of the 18th Dynasty, such as Amenhotep II, show any trace of wounds or injury. In fact, the great warrior Ahmose, who is described as liberating Egypt from the Hyksos invaders, is described by one scholar as delicately built, and probably unable to be a front-line war leader.

As defender of maat the Egyptian sense of order the king must be presented performing any action that continues this stability: he offers to the gods, he kills all enemies, he leads the army, he widens the borders of Egypt. He does this personally. Things must continue as they always have. This is quite clear in art, and it is the same in texts. In order to strip away these layers of ideology we must approach the texts with issues of genre, theme and context in mind. Context because the location of a text will give away why the information was recorded in the first place, and genre and theme in order to understand what information is being manipulated.

Egyptologists have identified many of the key themes that emerge in textual sources, and it is also possible to see switches in genre within individual texts. The scribes who composed these texts did have accurate records available these are known as daybooks, and record the date, name of the king, and important details required by the administration in a plain straightforward manner. If it was the daybook of the royal palace, it would also record the location of the king, his movements and activities.

Such daybooks formed the core of many royal inscriptions, which could be stored in the palace archive, and their original content can often be deduced from the official publications. Sometimes the same basic administrative record could be used by different scribes to produce different recreations of events.

Amenhotep II of the 18th Dynasty commissioned two stelae to record the events of his military campaigns into the Levant one would be placed at Karnak Temple in the south, and the other probably in a Temple at Memphis in the north (this stele was found re-used in a later tomb in the region). Both were thus religiously motivated. Seemingly the same daybook information was sent to the scribes in the north and south, but they did not work together on their compositions. Both stelae relate the same basic events, except in cases of royal valour when the scribes followed set themes to portray the king in the best possible light (normally at the expense of the army). Whilst crossing the Orontes river, the Memphis stele describes how the king saved his army by chasing down the enemy and killing them all with his arrows; the Karnak edition, however, simply records that he chased down the attackers and killed the enemy commander with his battle-axe, while the rest of the troops fled.

Such descriptions follow exactly the depictions of the king in battle. The narrative switch from plain record of events to ideologically motivated fiction the raging king, majestically attacking the enemy alone – is motivated by the need to show the king as defender of maat, controlling the chaos of the battle, while protecting the people of Egypt here represented by his army.

Sandro Vannini - King Tutankhamun's Hunting Box

What then was the kings true role as warrior on the battlefield? If all evidence relating to the king is inherently biased will he forever remain an ever present yet elusive figure? Regarding military texts, at least, if we strip away the ideological flourishes and simply try to recreate the original daybook entries from which the text was composed we are left with very little information to solve this problem. The evidence becomes neutral as to whether the king personally fought with his troops it wont allow us to say whether he did or not. We have to look elsewhere to tip the balance of probability.

For example, there is only one royal mummy that shows any sign of battlefield injury and there is always the possibility that he was assassinated in the palace. None of the great warrior pharaohs of the 18th Dynasty, such as Amenhotep II, show any trace of wounds or injury. In fact, the great warrior Ahmose, who is described as liberating Egypt from the Hyksos invaders, is described by one scholar as delicately built, and probably unable to be a front-line war leader. There are also references to the kings bodyguard in some textual sources, and also to his protection when travelling in Egypt.

Ignoring the ideological presentation of the king, and viewing this evidence objectively, does this not tip the balance of probability in favour of the kings not personally fighting, but having to be presented so for religious reasons? Firm evidence as to the reality of the situation may forever elude us, but sometimes there are hints at what may lie behind the shroud of ideology.

Daily Flickr Finds: gh0stdot’s Abu Simbel

Part of the Nubian Monuments, Abu Simbel is an ancient site home to two rock temples in the south of Egypt. A beautiful tribute build by Pharoah Ramesses II to his queen Nefertari, they had the alterior motive of commemorating the Battle of Kadesh, as well as the added bonus of intimidating the neighbours!Nothing like a massive temple or two to show the region who’s boss!

The beauty of this monumental structure is depicted perfectly in gh0stdot’s photograph. Choosing to portray the two ancient statues at an angle which captures them from below, and results in a picture including the sky, the effect is one which shows the great detail that went into these structures. The colour is very rich and glows the stone from which it is made, and the dramatic shading really punctuates this photograph to life.

Be sure to check out gh0stdot’s photostream for some truly stunning shots of ancient relics around the world.