Tag: Rom

Australian Museum Curator Janet Carding New CEO of Toronto’s Royal Ontario Museum

Canadas largest museum has picked a curator from down under to lead them into the next decade.

Janet Carding has been Assistant Director, Public Programs & Operations at the Australian Museum inSydney, since 2004. She also teaches the Museums and Galleries administration segment of the University of Sydneys Museum Studies program.

She will be taking over as CEO and Director of the Royal Ontario Museum after William Thorsell, the museums current leader, retires in August.

Like the ROM the Australian Museum has a collection that stretches into ancient times. In particular it has a large collection devoted to the aboriginalcultures of Australia.

She started her career at the Science Museum in London, UK. The museum said in a press release that, Cardings scope of work includes managing projects during construction of the Science Museum’s Welcome Wing extension, leading exhibition development teams, and coordination of a review of the National Museum of Science and Industry, London (NMSI), resulting in new strategic direction and organizational changes.”

In a statement Carding said that, Im delighted to accept this important position with the Royal Ontario Museum, and am looking forward to building on the momentum of Renaissance ROM, ensuring that its success endures and the Museum thrives, adding, I intend to strengthen and deepen the ROMs relationship with its many audiences, and its place at the heart of the community.

She holds a Masters degree from the University of London in the History of Science and Medicine.

Challenges

As discussed in a blog earlier this week, Carding will take over a museum that has been physically transformed. William Thorsell presided over a $270 million expansion that saw its Bloor Street frontage turned into a giant crystal. The expansion project was called Renaissance ROM.

An immediate challenge for Carding will be to finish the final elements of the expansion. The ROM has plans to build new galleries dedicated to Nubia and the Eastern Roman Empire however they need to get the funds first.

She is also going to be leading the museum at a time when governments are looking at cutting their spending. Canadas federal government is running a deficit of $50 billion a year and the Province of Ontario is dealing with a $20 billion annual shortfall.

ROM set to announce new CEO… but what should his or her goal be?

In a matter of weeks, or even days, the Royal Ontario Museum, in Toronto Canada,will be announcing who their next CEO is going to be.

I dont have any knowledge as to who it is, but, can certainly say that the new leader has an almost impossible act to follow.

William Thorsell, the museums current leader, will be retiring in August. His ten year termat the museum was one of unprecedented growth. Under his leadership the ROM built an expansion that saw its Bloor Street frontage turned quite literally into a giant crystal.

Collections that had been in storage from the Middle East, South Asia, South America, the American Southwest and Oceania are now on display inside the crystal. The museum is also in the process of building new galleries dedicated to Ancient Rome and Byzantium.

Over the past decade the museum has managed to land some major special exhibits. Last summer it played host to a Dead Sea Scrolls exhibit. This summer it will open the largest Terracotta Warriors show ever to come to North America.

It even got the opportunity to display the (second) oldest copy of the Ten Commandments – albeit for one week only. The line to see the scroll tailed off for nearly a kilometre.

Of course Thorsells rule was no pax ROMana there was plenty of controversy to go around. The Dead Sea Scrolls exhibit attracted street protests, and a request from Jordan that the scrolls themselves be seized. The museum also made an error in showing the James Ossuary in 2002. It blew up on them when an Israel Antiquities Authority investigation determined the inscription on it to be fake. There is also an active, indeed never-ending, architectural debate going on about the merits of designing the expansion in the shape of a crystal.

But whats a museum without some controversy? Its common now for major museums and galleries to take some tough headlines. Take a look at the Elgin Marbles and the British Museum, the Louvre andallegedlystolen artefactsor the Met and naked art stunts … Ok maybe that last one doesnt count.

So what challenges will the ROMs new CEO face? And more importantly – what great project should Canada’s largest museum now embark on?

CHALLENGE ONE – Nubia and Eastern Rome

One of the ROMs strengths is that it has a comprehensive collection of Nubian antiquities. Archaeologist Pamela Rose, who recently discovered a 1st millennium BC dark age settlement at Qasr Ibrim, stopped by Toronto specifically to examine pottery samples at the museum.

Last January museum officials told Heritage Key that theyare hopeful that funding would emerge to build a new Nubian gallery, along with one dedicated to the Eastern Roman Empire. However since that time no announcement about these galleries has been made. It seems that one of the top priorities for the new CEO is to turnhopes into financial reality.

CHALLENGE TWO – Government funding

Thorsell enjoyed strong support from all levels of government during his term. The federal government and the province both helped fund the museums projects.

When the Dead Sea Scrolls came to the museum the premier himself was there to announce support. When the museum needed money to kick-start its Rome and Byzantine galleries, the federal minister for infrastructure, John Baird, showed up in January 2010 to cut a check.

The new CEO will probably find financial support for major projects harder to come by. Restraint is the operative word used by politicians in Canada when describing the future.

The Ontario government is running a budget deficit of nearly $20 billion CDN and has already announced delays in building new light rail transit in Toronto. The federal government is facing a deficit in the neighbourhood of $50 billion and their stimulus program, which is funding construction of the new Rome and Byzantine galleries, will be ending in the spring of 2011.

The ROM, of course, is not captive to the government when it comes to funding. It charges fees for admission and museum membership.It also has an active fundraising program. In fact the ROMs crystal expansion is named after Michael Lee-Chin, one of its biggest contributors.

If government goes to ground with fundingthenmoney fromadmission/membership and private donations will be all the more important for the ROM and a top priority for the new CEO.

CHALLENGE THREE – The next big project

What do you do after galleries for Nubia and Eastern Rome have been built? Do you plan another large expansion?

That seems unlikely.

In order to do that, you need two things space and money. The museum is bordered by the University of Toronto on the west Bloor on the north and Queens Park crescentto the east. To the south lies the defunct McLaughlin Planetarium which has recently been sold tothe University of Toronto(which has its own need for space).

So even if the cash were readily available it would be pretty hard to do a major spurt of growth without knocking down a building somewhere.

No, the next big project needs to be one that doesnt involve construction cranes. One avenue the museum should look at is building up its research capabilities by hiring more archaeologists, geologists and life scientists, and fully funding their research.

The next big project needs to be one that doesnt involve construction cranes.

Its a worthy goal and one that is already being pursued to some extent.

Just a year ago the museum hired Dr. Clemens Reichel, the director of the Hamoukar project in Syria. The work his team is doing is amazing, to say the least. We now know that Hamoukar is one of the oldest cities in the world and also experienced the first known war in human history. It pitted the sites local residents against Uruk, no less! As Im writing this his team is in the field continuing their investigation of the site.

Dr. Robert Masons work is another example of headline grabbing research at the museum. Last summer his team found a Neolithic era landscape that has stone circles, alignments and, what appears to be, burial cairns. They will be back in the field this summer trying to learn more about it.

So what other reasons are there to hire more archaeologists and do more research?

For one thing archaeological research is not anywhere near as expensive as building an expansion. To doresearch you need good lab facilities (already available at ROM/U of T), a large research library (again readily available at ROM/U of T), an annual salary (60/70 K a year for an entry levelcurator). After that you need funds for travel, conservation, equipment, some field assistants… and thats about it. In comparison the costsfor the ROM’s expansion were estimatedto be$270 million dollars.

Another point to consider -right now is an excellent time to hire archaeologists.

The financial crisis has hit academia hard, leaving many recent grads looking for institutions willing to fund their research. If the ROM were put five ads up, right now, advertising $60,000 a year jobs for recent grads withresearch programs ready to go they would have some excellent proposals.

Finally, think of the positive benefits this would have for students and Toronto residents. Researchers not only research but lecture at local universities and public events. Dr. Reichel, for instance, teaches Near Eastern archaeology at U of T. He also talked about his research at a free public colloquium, at the museum, in February.

New archaeologists would not just be bringing their research projects to the museum but to the city at large.

Toronto G20 Summit: Terracotta Warriors to Guard ROM

Its confirmed the Terracotta Warriors show will be opening on June 26at the RoyalOntario Museum, inToronto rightat the startof a G20 summit.

It will be the largest Terracotta Warriors show ever to hit North America. Featuring 250 artefacts, including 16 human terracotta figures.

While the Terracotta Warriors show will be opening many other venues will be closing.

The CN Tower will be closed, the University of Toronto campus (which surrounds the museum) will be shut down and even the Toronto Blue Jays baseball team have moved their weekend home games to Philadelphia. A security cordon will also be in place around the Metro Toronto Convention Centre, preventing visitors from accessing much of the downtown area.

Making matters more interesting is that the official protest site, for the G20, will be at Queens Park, about 100 meters south of the museum. Protest groups say they will not remain in that zone.

But, nevertheless, the museum just released a statement saying that the show shall go on.

The ROM will be open for business as usual during this period and is looking forward to a successful exhibition launch,” the statement reads. The museumdeclined to comment on what extra security precautions willbe inplace.

Terracotta Army Stays Until 2011

One other piece of news regarding the warriors – and one which is definitely in the good news category – is that the warriors will be staying in Toronto until the New Year. January 2, 2011 is now confirmed as the exhibition’s closing date, said senior publicist Marilynne Friedman in an email. I’m so pleased that we have it through the holiday season!

Cock-a-Doodle-doo! Giant Red Rooster Mosaic Finds Home in ROM’s New Byzantine Gallery

Planners and construction workers are hard at work building new Byzantine and Roman galleries at the Royal Ontario Museum, in Toronto Canada.

The galleries will be completed some time in 2011. For now I thought I would show a picture of a key artefact that will be featured in the Byzantine Gallery. Its a mosaic that dates to the time when the city of Constantinople was being founded (AD 325-350).

Curator Paul Denis said that its 12 feet by 20 feet and will be a key part of the Byzantine gallery. He added: its got geometric patterns around the border and then it has baskets and fruit, and then in the centre it has a rooster surrounded by a vine scroll.

Clearly Dated

Archeaologists didn’t have much trouble dating the artefact – the clue was in the inscription. The picture above shows a close-up of the inscription. It is written in Greek and reads: (mosaic) was completed on April 15 in the Indiction year 10 in the year 104.

Its interesting how prominently it features on the mosaic right in the centre. In the modern world details like this are in fine print. But in the ancient world, where mosaics must be made by hand, details like this are prominent.

The picture on the left shows a fuller picture of the mosaic. You can seea very ornate geometric pattern on the right hand side. Certainly not something that can be made in a day!

Preview: Fakes and Forgeries hits Toronto’s ROM this Saturday

The media preview for Fakes and Forgeries: Yesterday and Today was held today. It will be opening at the Royal Ontario Museum, in Toronto Canada, this Saturday. It’s a much smaller exhibition than the King Tut and Dead Sea Scrolls shows that have hit Toronto recently, and will potentially be dwarved by the very large China show that may or may not include the Terracotta Warriors this June. But Fakes and Forgeries offers some strong lessons about the world of fakes and the experts who try to out them.

How the ancient section of the exhibit works is that there are stations for China, Egypt and Mexico as well as a catch-all table that includes Greek wares.

You see fake artefacts and real ones. After being given some background information you pick out which ones that are fakes and which are real. Opening a slot at the bottom you find your answer.

I knew some of the answers in advance since I had access to a media kit.However -I have to admit -I didnt do that much better than 50:50 with the remaining ones. But, I was far from the only one who got fooled by the fakes.

I spent some time at the Zapotec tables and watched a few guests guess that the urn in the shape of Cocijo, the Zapotec god of rain, was real (it isnt).

Which brings me to the first lesson that this exhibit teaches us-

Even a Museum Full of Experts Cannot Always Spot Fakes

We like to think that with a PhD, and lots of drive, we can always spot fake artefacts with our bare eyes. We also like to think that a museum full of experts can never be wrong. But that is simply not the case.

The experts had quite a bit of trouble with the Zapotec artefacts themselves. In case you dont know know about these people, the Zapotec culture dates from 500 BC until present andis based in Mexico.

Exhibit curator Paul Denis told Heritage Key in an interview a month back that out of the hundreds of ancient Zapotec artefacts the Royal Ontario Museum has, about half of them are fake.

And no, those Zapotec artefacts were not donated to the museum by unwary tourists. Charles Trick Currelly, an archaeologist and one of the founders of the museum, purchased many of them on a trip to Mexico.

He thought that he could spot the fakes, but he was wrong.

Its just reaching too far, Denis said.

It took some time for the museum to out the artefacts. In fact it wasnt until the advent of Thermoluminescence (TL) dating that they could tell for sure which were which.

Lesson Two While Some Forgers are Brilliant Others are Comically Bad

Take a look at the picture of the pharaoh below. This clumsy fake is so bad its hard to imagine it passing muster at a flea market. A crude and contrived representation the museum said in their literature Ill sure say!

A crude and contrived representation

Then there is a rathercomic attempt to imitate a Zhou Period period belt hook. The forger created an ornately decorated hook that was nearly a meter long. Unless the Ancient Chinese had some massive obesity problems it would have been of no use.

On another funny (but not ancient) note a 1954 attempt to fake bank notes in Canada was foiled, in part, because the forgers couldnt get the Queens hair style quite right. Its not clear if the forger was ever brought to court but, if he or she was, it must have been quite a trial.

Now, Heres the one Serious Criticism That I Have

There is a third lesson which I would have liked to have seen. That is that the most impressive artefacts in a collection, the ones that appear in history books and as the centrepiece of major exhibits, can just as easily be faked. Prestige offers no immunity. The high-profile speculation around the bust of Hatshepsut and, especially, the Nefertiti bust, have proved how difficult it really is to tell replica artefacts from the real thing.

About 10 years back there was a major controversy when it was suggested that Our Lady of Sports an iconic Minoan statue of a female in theRoyal Ontario Museum’s collection is a fake. Again, it was acquired on Crete by Charles Currelly whom, as youve already seen, wasnt exactly the best in the world when it came to spotting fakes.

After some media buzz about whether the artefact is real, the statue was pulled. The conclusion eventually reached is that it is indeed fake. It seems that some of the workers with Sir Arthur Evans were doing a brisk side business faking artefacts.

It was a bad hit for the museum.

The statue had been on display in Toronto for nearly 70 years. Evans himself had written about it. He even featured a picture of it at a London exhibition at the Royal Academy of Art in the 1930s.

I remember going to the ROM when I was a teenager and staring at the statue it was simply beautiful a great example of Minoan art (or so I thought). I was disappointed when I heard that it likely was not real and I developed just a little bit more caution when it came to looking at artefacts in a museum collection.

So today, when I went to Fakes and Forgeries, I was a bit disappointed that the statue was not part of the exhibit. Speaking to Dr. Dan Rahimi, Vice President for Gallery Development, he said that the exhibit will be travelling after its Toronto showing and that the fake Minoan statue is too fragile to bring along.

It seems the forgers even got the fragility right…not bad for a fake.

What do you think – can replicas be as good, and even better (in preservation terms) than the real thing? Tell us what you think in our special HK survey, and see what others have to say about the issue.

Protesters Take to the Streets (and youtube) in Dead Sea Scrolls Dispute

There are few ancient history exhibitions that actually lead people to take to the streets in protest – but the Dead Sea Scrolls is one of them.

Last Friday a few dozen protesters took to the streets outside the Royal Ontario Museum (ROM) in Toronto to protest against the Dead Sea Scrolls exhibit.

At the same timea group of supporters of the exhibit staged a counter-protest right across the street.

Videos, from both sides of the protests, have recently migrated onto youtube.

Its the latest chapter in a series of events that have been playing out in the city since the exhibit was announced last autumn.

So What’s Their Beef?

To understand the protests you have to examine the context of the scrolls’ discovery. The scrolls were discovered at the site of Qumran between 1947 and 1956, although it’s not certain why they were there. Now, Qumran is actually in the West Bank, not Israel proper. At the time of the scrolls’ discovery, the area was controlled by Jordan and many of the scrolls were housed in the Rockefeller Museum in East Jerusalem.

The fact that Israel has the scrolls is, needless to say, a sticking point with the Palestinians.


A video from the main protest

Avideo from the “counter-protest” across the street

A second video from the “counter-protest”


After the Six Days War in 1967, Israel took over the West Bank. The scrolls in the Museum, and the site of Qumran, came under the auspices of Israel.

Today the West Bank is controlled by Mahmoud Abbas Palestinian Authority. The fact that Israel has the scrolls is, needless to say, a sticking point with the Palestinians.

So, when the Toronto exhibit was announced the Palestinian Authority objected. Palestinian Prime Minister Salam Fayyad wrote to Canadian Prime Minister Stephen Harper and demanded that the exhibit be cancelled.

Harper refused and the museum got a legal opinion saying that the exhibit they were showing was in keeping with international law.

But thats not the end of it.

Toronto based Palestinian groups objected. Palestine House, a major GTA cultural centre, sent out a press release denouncing the ROMs position.

The protests racheted up a notch last Friday when a small band of protesters converged on the ROM to protest against the exhibit. In response to the protest a group of supporters of the Dead Sea Scrolls, waving Israeli flags,took to the streets at the same time as the Palestinian protesters to wage what is known as a counter-protest. (Yes, a protest to protest a protest)

Dueling videos of the protests can be seen on youtube and we have embedded them here in this blog.

But, perhaps the strangest turn of events came when the owner of a local restaurant, Le Select Bistro, published a call for a boycott of the scrolls exhibit on his website.

The principle of free speech is more important than anything else, owner Frederic Geisweiller told The National Post, adding that his staff has been harassed and threatened over his words. An effect on my business doesnt have me shaking in my sandals.

The protests have started to receive attention media attention in Israel with the Jerusalem Post publishing a lengthy article just yesterday.

In the end its not likely that the protests will result in any changes to the exhibit. The museum believes that the exhibition is legal. Prime Minister Harper supports it, as does the Premier of Ontario (a position similar to a U.S. governor) Dalton McGuinty, who actually took part in the opening of the exhibit.

But, without a doubt, the protests (and counter-protests) have brought the issue of artefact repatriation a little closer to home for the citizens of Toronto.