Tag: Armour

Roman ‘Crosby Garrett’ Cavalry Helmet to go under Christie’s Auction Hammer

'Crosby Garrett' Roman Cavalry Sports HelmetEarlier this year, an astonishing Roman cavalry helmet was discovered in Cumbria. The helmet found complete with face mask is only the fifth known example discovered in the United Kingdom.

Next month, the parade helmet will go on auction at Christie’s London, with Carlisle’s Tullie House Museum as one of the eager bidders for the 200,000 artefact.

Crosby Garrett Helmet Discovery

The helmet was discovered damaged it was broken in 67 pieces but near-complete by a metal detectoristat Crosby Garrett in Cumbria, in May 2010 (images of the headpiece in its discovery state can be seen on the Portable Antiquities Scheme (PAS) website). The find was then restored by conservators at Christies.

It is a pity that the object was restored before there was any opportunity to examine it scientifically, as that would have given us more information about how it came to be in the ground, said Roger Bland, Head of Portable Antiquities and Treasure at the British Museum.

‘Sports’ Helmet for the Roman Auxiliary Cavalry

The helmet is of the Phygian type (named for its shape, alike to a Phrygian cap), and dated to the late 1st or 2nd Century AD. It had a griffin figurine crest attachment.

Its facemask depicts an idealised youthful visage in Greek style, clean shaven with a head of luxurious curly hare.

In antiquity, the polished white-metal surface of the Crosby Garrett face-mask would have provided a striking contrast to the original golden-bronze colour of the hair and Phrygian cap.

Roman Bronze Parade Helmet Crosby Garrett - Image Copyright Christie'sCrosby Garette Roman Bronze Parade Helmet on Auction - Image copyright Christie'sDetail of the griffin at the top of the restored ‘Phrygian Cap’ and side view of the Roman helmet and facemask. Images copyright Christie’s.

In addition, colourful streamers may have been attached to the rings along the back ridge and on the griffin crest.

The Hippika Gymnasia

The Crosby Garrett Helmet would not have been worn in combat, but on the occasion of ‘cavalry sports’ events, the hippika gymnasia.

Arrian of Nicomedia, a Roman provincial governor under Hadrian, provides us with the only surviving contemporary source of information on cavalry sports events.

The historian describes, in an appendix to his Ars Tactica, how the cavalrymen were divided into two teams which took turns to attack and defend. Hesuggests that the wearing of these helmets was a mark of rank or excellence in horsemanship.

Top 3 Antiquities Sales at Christie’s

1. The Jenkin’s Venus – 7,926,650 in 2002
2. Canford Assyrian Relief – 7,701,500
3. Statue of Ka-Nefer – $2,816,000
See more

The Roman cavalry sports helmets are thought to have been commissioned and purchased by individual soldiers.

Unlike their combat gear which they were issued and required to return at the end of their period of service these types of helmets are often found at burials and other in non-military contexts.

Context of the Find

The helmet’s find spot has been visited by local archaeologists and PAS staff, and a preliminary assessment has been made of the discovery site.

So far, previously unknown evidence for human occupation in the immediate vicinity of the find spot has been revealed.

We very much hope to be able to investigate this further, as it is important to know as much as possible about the context of the find, said Sally Worrel, National Finds Adviser for PAS.

See the Crosby Garrett Helmet… now its still in the UK

The Crosby Garrett helmet will be on public display atChristie’s King Street salerooms from 14 September and at South Kensington from 2 to 6 October.On 7 October, it will be offered for auction at Christie’s (Lot 176 Sale 5488), where it is estimated to realise between 200,000 and 300,000.

“This is a hugely important discovery and we expect considerable interest at both the public preview and at the auction where it is sure to generate great excitement from museums and collectors alike, said Georgiana Aitken, Head of Antiquities at Christie’s London (read an interview with her on Auctioning Antiquities).

To prevent the Crosby Garrett helmet going abroad, one of the bidders will be Carlisle’s Tullie House Museum, but as pointed out by Roger Bland it is always difficult for a museum to acquire an object like this at auction.

We wish the Tullie House Museum best of luck, and fewest of competition!

* Wondering – we certainly did – why this valuable find does not fall under ‘The Treasure Act’ (which most of the time means valuation by the British Museum and purchase by a museum or a group of museums)? Apparently, an object needs to be over 300 years old when found (check) and contain at least 10 per cent by weight of precious metal (gold or silver) to be considered ‘treasure’. Yet, if a ‘hoard’ of Bronze Helmets would have been found (more than two?), it would have qualified as treasure.

Roman Makeovers, Sword Fighting and Horse Show at Leeds Royal Armouries this Bank Holiday Weekend

The Royal Armouries in Leeds is holding a series of Roman events this bank holiday weekend and, with the emphasis on arms, there is plenty of action for children and adults. The activities to get involved with include workshops on gladiatorial sword fighting, a chance to meet two Roman legionaries (Stilicho and Quintus) as well as arts and crafts sessions on how to make Roman swords and helmets.

The aim of the events is to teach children of all ages about life (and particular the army) in Roman times as well as to showcase some of the Royal Armouries’ huge collection of arms and armour. The museum’s collection of weapons throughout the ages boasts 8,500 pieces altogether.

How to Look 2000 Years Younger

For anyone who’s a fan of make-over programmes on TV (Ten Years Younger and such like I love to hate them, but they are compulsive viewing) there is also the chance to watch a Roman-style makeover with an archaeologist and specialist in ancient cosmetics, Sally Pointer. She will be using historically authentic products to see if she can transform one of the museum’s staff into a fashionable Roman lady. Nicky Hambleton-Jones eat your heart out. Sally, if you need any more models, I’ll happily offer myself to be transformed into a Roman lady for a day… maybe Galla Placidia or Livia?

Also on offer this bank holiday (1-3 May) is a display of birds of prey and a special themed Roman horse show. There will also be an opportunity to handle replica artefacts. Events will run each of the three days between 11am and 4 pm.

Entry to the Royal Armouries in Leeds will be free, but there are some small fees for each of the events. The timetable of events is listed below and for more information about the event click here, or visit the museum’s website.

The Leeds Royal Armouries takes an active role in the community and holds events like this one on a regular basis with the aim of educating people about the use of arms through the ages. They also work on knife and gun crime prevention and seek to provide a special insight into how and why people use weapons.

Timetable of Events

  • Roman Themed horseshow: Daily at 2pm, 2.50 adults, 1.50 con, approx 20 min – Tiltyard
  • Falconry: Daily at 12 noon, 1.50 adult, 1.00 con, approx 20 mins Tiltyard
  • Interpretations: Daily 11am-4pm, Free
  • Have a go sessions (Sword fighting): Daily 12.45, 3 per child, 12 children per session, 8years minimum or above 4 foot Dojo/Oriental Gallery
  • Tours: Daily 11am, meet at Hall of Steel – Free
  • Arts & Crafts: Daily 11am 4pm, make Roman swords and helmets, 1 Oriental gallery (teahouse area).
  • Handling: Daily 12noon to 4pm, free Oriental Gallery Gallery
  • Roman Makeover: Join archaeologist and specialist in ancient cosmetics Sally Pointer as we transform a member of the Armouries staff from a 21st Century woman into a fashionable Roman using accurately reconstructed perfumes and cosmetics. Between the makeover sessions, look out for Sally in the war gallery and have a closer look at the equipment and ingredients found on the Roman dressing table. 12.45 & 3pm War Gallery (Fireplace)
  • Meet 4th Century Roman legionaries Stilicho and Quintus: A chance to handle replica Roman items and find out about what life was like on the northern frontier of the empire, 1,650 years ago 11am 4pm (Sat & Sun only) The Street

Roman Gladiator Costumes and Weapons on Display in Colosseum Exhibition

Question: What does a gladiator wear on a night out? The answer, of course, is that he puts on his glad rags! Apologies for the terrible joke, but for those who want to know what a gladiator would really have worn, not on a night out in ancient Rome, but in combat in the arena, then an exhibition inside Rome’s Colosseum has opened to show us just that.

The exhibition – Gladiatores – is displaying replica gladiatorial weapons, dress and armour made authentically according to nine years of historical research by Silvano Mattesini, a trained architect and expert in ancient Roman military dress.

Many of the costumes use bright colourful feathers and silk, as well as the more expected leather and metal and they are all inspired by or taken from historical evidence of gladiatorial culture in Italy. The weapons and accessories on display were designed by Silvano Mattesini, who then commissioned professional craftsmen (metalsmiths, tailors, carpenters) to make the pieces.

The 30 objects on display are the results of in-depth research into historical texts by classical writers, as well as evdience from Roman paintings and frescoes, mosaics and graffiti, every-day objects such as statues and vases as well as authentic armour and weapons found at Pompeii.

According to the exhibition’s organisers, the contrast between the original ancient objects on display, and the modern replicas, highlights the difference between the originals as we see them now, and how they must have appeared almost 2,000 years ago. Of course the archaeological items have lost much of their colour and brightness both of which would have been very important in a large amphitheatre such as the Colosseum, where the audience in the higher seats would be able to see only the colours and flashing metal of swords and helmets.

Evidence of gladiatorial combat dates as far back as the fourth century BC to some figurative art in tombs at Paestum.

The first documented gladiatorial spectacle in Rome was in 264 BC when the two sons of Brutus Pera held the event in honour of their (deceased) father. Gladiatorial combat continued to be associated with funerary celebrations until the Augustan age and during the late republican era the combat became more elaborate, with 320 pairs of fighters on display in games given by Julius Caesar in 65 BC. By this time gladiatorial schools had been set up – the ones in Capua and Rome (the Ludus Magnus) were especially well known.

Gladiatorial shows became an important political and electoral tool and the building of amphitheatres such as Vespasian’s ‘Flavian amphitheatre’ in the 70s AD consolidated the status of the spectacle.

The educational exhibition – Gladiatores – is curated by Rossella Rea, director of the Colosseum.

Photos by Silvano Mattesini.