PREVIEW - Dead Sea Scrolls Hit Toronto This Weekend
This Saturday throngs of visitors from across North America will head to the Royal Ontario Museum, the crown jewel of Canada’s cultural scene, to see one of the most important, and mysterious, texts in antiquity, the Dead Sea Scrolls.
Dead Sea Scrolls: Words that Changed the World features fragments from Genesis, Daniel, The Book of War, Psalms, Daniel and the Messianic Apocalypse.
It also features artefacts from the site they were found (Qumran), as well as Jewish artefacts from Jerusalem and Sepphoris.
The Dead Sea Scrolls were discovered in 1947 by a group of Bedouins, said to be searching for a stray goat. They form the earliest known texts of the Hebrew Bible (Old Testament) and date from the 2nd century B.C. – 1st century A.D.
As such they have given Jewish, Christian and Muslim scholars an opportunity to explore some of the earliest stories of their faith. An undertaking that, to say the least, has entailed no shortage of controversy.
Scholars hotly dispute who wrote them, how they came to Qumran and the implications they have for theology. An arrest earlier this year illustrates how extreme these debates can get.
Battle of the Scrolls
The ownership of the scrolls is disputed. Qumran is actually in the West Bank, a territory under the jurisdiction of Mahmoud Abbas’ fledgling Palestinian Authority. However, the scrolls used in the Toronto exhibit are owned by Israel – a sticking point with the Palestinians. Before they were even put on display the Authority’s leaders were demanding that Canadian Prime Minister Stephen Harper call off the show.
Harper, and the museum, refused.
So how does Canada’s largest museum present items of such great religious importance and controversy?
Answer: with great politeness.
Curating From the Fence
The exhibit takes pains to avoid bias towards any of the duelling theories. In fact it sticks so close to the few agreed facts that it offers little information as to the various competing ideas of how the scrolls came to be.
One of the first things a visitor sees after walking into the gallery is a three foot tall ceramic canister from Qumran. It is surrounded by a floor to ceiling wall with large questions written on it.
Who concealed the scroll? Why do the scrolls refer to a seemingly unusual form of Judaism? Who wrote the Dead Sea Scrolls? Were the scrolls part of an ancient collection? If so whose? The exhibition is more full of questions than answers.
You start off by going through a gallery full of artefacts from the site of Sepphoris. The city had a large Jewish population at the time the scrolls were written. Incense shovels, lamps, ossuaries and ceramics give a sense of the devotional, but fairly modest, lifestyle of its inhabitants.
Left to the Imagination
Next you come to artefacts from Jerusalem and nearby areas, during the time of Roman rule. This was a period marked by rebellion and war. Tiles, manufactured in the city by its inhabitants, bear the mark of the Roman “tenth legion of the sea strait.” A set of arrowheads is displayed, left over from a 2,000 year old battle on the Golan Heights.
Qumran, the site of the Dead Sea Scrolls, is the next stop. The gallery exhibits a mix of items from the site including
jugs, funnels, bowls, a net, coins, scroll wrapping and even dried dates.
A sign has a list of ideas about the original purpose of the Qumran site (pottery production centre, monastic site, military outpost etc). But the exhibit doesn’t make a concerted attempt to flesh out these theories, much less take sides in the dispute.
The Essenes, whom many believe wrote the Dead Sea Scrolls, are not featured in a large way.
No Pictures!
Finally you reach the scrolls themselves – they are housed in climate controlled displays. You will not get an opportunity to take pictures of them because of their fragility (selected media were permitted to take pictures for only one day). Again, the museum sticks to the agreed facts: what the texts say in translated verse, where they were found, and their timeframe.
And that sums up the exhibit. A lot of well-researched facts, many artefacts and a chance to the see the first known copy of the most well read book in the western world. But, if you’re looking for the big ideas on how the pieces fit together you’ll have to find a good book on the topic. Or perhaps some of the lectures surrounding this event will pack more of a controversial punch.
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Hi,
I really enjoyed your article and would love to see the exhibit, even if it doesn't shed new light...
On Prad's suggestion I added my own photo of the Dead Sea scrolls to the Heritage-Key group on Flickr. Unfortunately I don't know enough about the scrolls to know whether I have posted the picture right-side-up or not. Could I ask you to have a look? www.flickr.com/photos/p-s/3560590670/
You mentioned the tight restrictions on photography at the Canadian exhibit. There were no such restrictions at archaeological museum in Amman. The fragments were exhibited under fluorescent lamps, and tourists were happily clicking and flashing away. So I wonder whether these fragments are of lesser value, or maybe even replicas (though I doubt the latter...).
Best
PS
Hi PS, I'm glad you like the article. It appears as if your flickr pic is horizontally flipped. If you take the book of war pic and flip it horizontally you will get the same effect (the letters will angle in the wrong direction).
I double checked the shot of the book of war, that appeared in the article, by comparing it to the version shot by the Israeli Antiquity Authority (kudos to them for providing a high resolution shot).
It`s a great shot you`ve taken though. All you need to do is horizontally flip it in photoshop elements.
I did that with your photo and the letters appear back to normal.
I should caution that I don`t know how to read biblical hebrew so I am relying on the IAA pics as my source of reference for how the scroll should look.
The scroll being photographed in the Jordan museum may have beeen the copper scroll - which to my knowledge is displayed in Jordan. As its name suggests the text was written on copper. That may be the reason why the curators in Jordan were a little more easygoing than the ones in Toronto. :)
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