Renaissance

INTERVIEW- Artist Joshua Neustein on responding to the Dead Sea Scrolls

The Institute for Contemporary Culture (ICC) at the Royal Ontario Museum, the Koffler Centre for the Arts and the Julie M Gallery are presenting works by New York based abstract artist Joshua Neustein. His exhibition of works explores the themes and ideas mentioned in the scrolls.

There was a time when biblical themes dominated western art. Indeed modern day galleries are full of renaissance and medieval European art that focussed on the stories presented in the Old and New Testaments.

With a rich cultural context of religious art behind us, how do modern artists respond to a biblical brief? I sat down with artist Joshua Neustein (JN) to find out.

OJ: What do the Dead Sea Scrolls mean for you personally?

Art of the Korean Renaissance

The exhibition comprises forty-five pieces which illustrate the cultural blossoming in Korea between 1200 and 1400 AD. This significant collection of paintings, ceramics, sculpture, lacquer and metalwork is the first in a series of loan exhibitions focusing on Korean Art History to come to the Met.

Exhibition Details
Exhibition Venue: 
Metropolitan Museum of Art
Exhibition Dates: 
Tuesday 17 March 2009 to Sunday 21 June 2009 - ended
Exhibition Status: 
past
Images
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Vision of St Helen

Musei Vaticani - Pinacoteca
Key People

Paolo Veronese (1528-1588) was an Italian painter of the Renaissance in Venice. He adopted the name Paolo Cagliari or Paolo Caliari, and became known as "Veronese" from his birthplace in Verona. Veronese, Titian, and Tintoretto constitute the triumvirate of pre-eminent Venetian painters of the late Renaissance (1500s).
    Veronese is known as a supreme colourist, and for his illusionistic decorations in both fresco and oil. This piece dates from his later output.

St Helen, mother of the Roman emperor Constantine (306-337 A.D.), is shown sleeping, seated, with her head resting on her hand. Sacred history attributes to her the vision – or rather the dream – that led her to find the true Cross, materialised and supported by a winged cherub. The iconography is not especially traditional for Venetian art, where the Saint is usually shown standing by the cross.

Images
Put your Flickr photos of this object into the Heritage Key group, and tag them with keyobject-2128, to see them here!
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