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King Tut Helps Egypt Net $100 Million in Revenue

The Cosmic Gallery

Zahi Hawass tells BusinessWeek that the touring exhibits including the King Tut and the Golden Age of the Pharoahs exhibition have netted Egypt $100 million USD since 2005. Considering that none of the major coffins or the ultimate, iconic piece the Death Mask are included in these shows (click here to see where they're hiding) it is quite an impressive yield for brand Tut and Egypt Inc. (King Tut's contracts are worth about as much as the world's most highly paid footballer Cristiano Ronaldo).

UNESCO Heritage Sites Versus Museums: Survey Results for Artefacts Abroad

british museum rosetta stone kid 1The big Museums have the greatest advantage when it comes to the artefacts that the UNESCO heritage sites and others want back -- the big Museums have possession.  Further, the Museums typically reside in the countries that made the laws governing repatriation. But as cultural tourism continues to be a growing and massive business, the UNESCO sites are making their own big Museums and are able to hire their own lawyers to defend their interests (check Zahi Hawass' Most Wanted List).  The complex battle for who controls artefacts is really heating-up now. Perhaps the issue of who owns antiquity is possibly less urgent than who controls it.

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