The Bust of Nefertiti - A Century-Old Archaeological Detective Story Nearing an End?

The bust of Nefertiti, Ägyptisches Museum Berlin

In his August 7th, 2009, interview with Heritage Key, Zahi Hawass revealed that the Supreme Council of Antiquities was gathering evidence regarding the illegal appropriation of the bust of Nefertiti by the Altes Museum in Berlin.  “I will reveal [the evidence] in October when I write the letter to the Berlin Museum for the return of the piece, because it left Egypt illegally,” Dr. Hawass stated.

In a new article published in Al-Ahram Weekly (Queen of Egypt’s heart), Dr. Hawass reveals that his wish is for the bust to be placed in the Museum of National Heritage at Giza in time for its official opening.  He may be in for a fight, but that’s nothing new for Dr. Hawass, who has returned more than 6,000 artifacts to Egypt in the last seven years.

Discovered, Dislocated, and Defamed

The bust was discovered in 1913 by a German team working under Ludwig Borchardt while excavating the studio of Thutmose, Akhenaten’s royal Master of Works.  At the time Egypt was under French control, and excavation regulations stated only that unique discoveries would become part of the Egyptian national collection and that half of what remained was to go to the excavator.  According to the regulations, Borchardt had to publish the results of his excavations within two years, which he did—to the exclusion of the Bust of Nefertiti.   

“I will reveal [the evidence] in October when I write the letter to the Berlin Museum for the return of the piece, because it left Egypt illegally.”

The rest of the world would have to wait a decade to view the elegant sculpture of the queen.  In 1923 Nefertiti went on display in Germany, and she has been hounded by controversy ever since.  The initial complaints were fairly obvious:  the bust was clearly a unique artifact, and its conspicuous absence from Borchardt’s summary of discoveries smacked of subterfuge. 

Then, beginning shortly after the 1952 Revolution and culminating with Swiss art historian Henri Stierlin in 2009, questions arose concerning the authenticity of the bust.  In interviews following the release of his book, The Bust of Nefertiti—an Egyptology Fraud, Stierlin claimed “It seems increasingly improbable that the bust is an original.” However, the authenticity of the bust is perhaps the only thing upon which Dr. Hawass and the Altes Museum agree.

Questions of the queen’s honor aside, the primary controversy revolves around issues of acquisition and ownership.  Germany continues to claim Borchardt brought the artifact to Berlin without deceit, and that the bust of Nefertiti has become a part of German cultural identity, even going so far as to refer to her as the “Berlin Bust.”

Defender of the Queen

For his part, Zahi Hawass remains unrelenting and continues to gather evidence.  One hint of this evidence may have come in February, 2009, when the BBC News reported that Borchardt claimed in his own diary that the bust was “indescribable,” a word hardly appropriate for a non-unique artifact unworthy of mention in his final report (German guile won Queen Nefertiti).  The BBC further revealed that Borchardt misrepresented the bust in such descriptions as he did provide, stating that it was made of gypsum rather than limestone, and produced a photograph that was unflattering by design.

Hopefully we will learn more when Dr. Hawass publicly discloses the content of his letter to the Berlin Museum in October.  Dietrich Wildung, curator of the Altes Museum, seems to be preparing his own counter argument, claiming that the bust is now too fragile to move.  “We could never be certain that she would arrive in good health.”

Herr Wildung!  How ungallant!

Image by okkofi.  All rights reserved.

Read 3 comments, or leave your own

About The AuthorKeith Payne
Keith Payne (follow me: RSS feed for Keith Payne)
Keith Payne is a freelance writer whose subject matter has ranged from Appalachian culture and history to Ancient Egypt. He holds a B.A. in Sociology and has completed the coursework for an M.A. in the same, specializing in sociology of religion and the nature of belief.

Comments

Fair play to Dr Hawass; he's certainly putting his all into this worthy campaign. But the chances of securing Thutmose's greatest achievement for Egypt? Negligible, surely. After all, what can he do if the German officials keep moving the goalposts with comments like 'it's too fragile to move now'? Very little, one imagines. Echoes of the way the British Museum has belligerently rebuffed Greece's claims to the Elgin Marbles? You bet, with the BM having to fall back on their much-debated interpretation of Elgin's original firman, in order to stave off a political storm brewing for decades.

esto es español??? cojones k no entiendo naaaaa

<p>For mankind, the survival of the bust is far more important than ownership - by Germany, Egypt or any other place. I fear the bust, if transferred to Egypt, will end up being destroyed by Muslim fundamendalists for not following Islamic sensitivities. Will she be shown with a veil covering her face? Islam, of course, started 2000 years after the Queen's life.</p>
<p>Also, just because Egypt was the land where she lived does not equal ownership of today's people living there today. Imagine what would happen if such a right existed! Remember, what such claims have wrought before! Muslims in the Near East, in particular, should know!</p>
<p>Similarly, I dont think, people living in 2000 years hence on the soil where Germany is located today could claim ownership of Nofretete - or anything else existing there today. </p>
<p>It seems there is an equivalence in History to Heisenberg's theory in Physics: The distance of events - in time and location - diminishes the possibity of certainty of&nbsp; rights, facts and knowledge in general.</p>
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